I ask a lot of questions before we meet. By the time I'm in a room with you, the context is already familiar.
From the first call to the final gallery, everything is built around one thing: you feeling at ease. Not posed. Not rushed.
A conversation. I'll ask a lot of questions — about you, your families, what the days look like.
I'll build something based on what you're actually planning, not a package that fits a spreadsheet.
I move around the edges. I step in when it helps, disappear when it doesn't.
Gallery in 6–8 weeks. Film negatives developed and printed by hand. No two prints come out exactly the same.
Once you have a date and a rough plan. Legacy spots fill up earlier than most people expect — usually by mid-year for the following season.
Yes, and most of what I do happens away from home. Travel costs depend on where you are and for how long. We'll sort that out once we know if it makes sense.
Sneak peek in the first two weeks. Full gallery in 6–8 weeks.
I don't have a fixed number. You'll get what the days produced — usually between 400 and 600 images per day, all edited
The selection is yours. I can walk you through the process if it helps, but I don't choose for you.
I don't shoot video, but I know people who do this work the same way I do. I can connect you if you need it.
Write to me or book a call. If you have a date and a destination in mind, we're probably ready to talk.
Because something changes by the second day. People stop performing. The jokes come easier. That's when the work becomes something worth keeping.